Aigoual N.-O. - Road bike circuit #19

Trees grow upwards towards the light while mosses benefit from their shade on the ground and spread out. Like soft cushions or carpets, they hug everything that sticks out of the ground, such as old tree stumps. This soft felted surface is pleasing to see, and an undergrowth without mosses would not be worthy of the name. Legend has it that mosses show which way is north. Wrong!
Mosses indicate a degree of moisture; they protect the soil from drying out by retaining every last drop of dew. They prepare pockets of humus for the future occupants: grasses and herbaceous plants. They also love the damp of tree trunks and can grow there, on the side that is most exposed to the prevailing rains.

“Aigoual, Forêt d’Exception”
The French Forestry Office, which manages state forests, launched a programme in 2013 called “Aigoual, Forêt d’Exception” (Aigoual: An Exceptional Forest) with the aim of highlighting the massif’s natural and cultural heritage. The Forestry Office thus tries to foreground the different aspects of its multi-facetted management: production, protection and receiving visitors. One key aspect of this approach, which complements other initiatives by local actors, is to improve visitors’ experience in the forest.

The geographical location of Meyrueis is remarkable, nestled between the Aigoual massif, the causse Noir and the causse Méjean. Here the Camin Ferrat crosses the Jonte river. Pilgrims and transhumant flocks of sheep stopped in the village before continuing their journey. Many merchants came to its large fairs. Stroll through the lanes and relive the flourishing past of the belle époque. From the prosperous bourgeois residences to the marketplaces, everything still speaks of the past! Sheep’s wool from the plateaux was woven here, silk was spun. There was intense economic activity. In the 17th century, Meyrueis became a centre for hat-making. By 1860, 17 milliners were busy making hats for Languedoc and Provence, beautiful and exceptionally high-quality hats made from felted wool and silk bourette. Discontinued as of about 1920, this activity left room for tourism, which today animates the village.

Time flies, conscience cries, death threatens, heaven invites, hell scolds, and man sleeps. Here, the effects of time and natural elements transform the wood used in the artwork; everything is an endless renewal at the same rate as the passing hours. How much time have we got left before everything is lost and it is too late to repair the damage? Nature will continue on its trajectory and efface the traces of Humanity on Earth.

This artwork, natural in architecture but artificial in execution, represents a passage between the interior and exterior worlds. Posing or opposing while questioning the notions of limit, porousness and opening.
This work encourages you to come inside but feel outside. To be the contemplative eye, the receiving ear, the conscience that objectifies reality. 

At the pass stands a schist menhir (standing stone). To the north, in Trépaloup ravine, hewn flint implements bear witness to a human presence in the region since prehistoric times. Palynological analyses (studies of pollen fossilised in peatbogs) have allowed scientists to piece together the plant life on Mont Aigoual from 8,000 to 5,000 BC. Pine predominated, accompanied by birch and hazelnut. Then pine populations gradually diminished. The damp climate warmed up, favouring the spread of oak and hazelnut. Finally, the increased damp and cloud cover at altitude allowed fir and beech to develop. From the end of the first century BC, the substantial percentage of grasses shows that forest had receded in favour of pasture and prairies. This was the start of the great deforestation.

Far from town, paths open the door to new rhythms. Another vision of life and time lets us breathe in the ever-present contemplation, stones, trees and skies. A physical experience of coming face-to-face with nature. A bench made of wood and branches, whose back becomes thinner as it rises towards the sky, as if to turn back into a tree.

By its location and name, this installation evokes the nearby watershed between the Atlantic and Mediterranean. A vessel reduced to a suspended wooden framework, without strakes or gunwale, tilts in the direction of the runoff. It emphasises the first branches of a gigantic drainage system.

The pass is also a climate frontier. The Atlantic side is predominantly exposed to the west wind and receives rainfall that is fairly regularly spread over the year. The Mediterranean side, however, is drier and hotter and constitutes a massive barrier to the occasional southeast wind (the marin), thus forcing its humid air to rise suddenly. This makes the clouds’ water content condense, which can give rise to so-called Cevenol episodes: heavy rainfall (600 mm in 24 hrs) causing catastrophic floods. The Aigoual, Mount Aigualis the rainy (A. Bernard), is well-named! After Savoie, it is the rainiest place in France.

The current relief creates a frontier between the Atlantic and the Mediterranean: depending on the slope, water runs towards either the Ocean or the Sea. This is due to the uplift of the Cevenol sill, brought about by geological activity along the Cévennes fault, which borders draw the northern limit of the Languedoc region. This natural sill marks the geographical border between the northwest slope – verdant, not too steep – and the southeast slope, which falls away abruptly in the Languedoc and continues to be subject to powerful erosion.